This post has nothing to do with post holiday blues and the dullness of those long dark winter days - no really. This is an appreciation of Blue and how designers have used this incredible colour in its various shades and hues. Blue has long been associated with quality work. Far back into the Middle Ages the cost of  Ultramarine led to its use sparingly for the finest works, and so our association of Blue with quality began. 

Whether a luminous iridescent or a flat matt pigment designers have chosen a variety of shades to launch and promote new products in the past year. Starting from the lighter brighter blue from a spring morning (its January - I’m feeling hopeful!) down to a deeper day-into-night shade  

At the beginning of the year in Stockholm Ineke Hans chose to exhibit her Fly Chair  in a beautiful matt sky blue. Produced by Arco  its simple oak frame has been matt lacquered, allowing the form of the chair to been seen in varying shades.

At the same show Ligne & Roset displayed Confluences by Philippe Nigro seen here in a range of tonal blues.   Launched at IMM Cologne the interlocking yin yang design not only allows different arrangements but also posture settings for the different users.   

Quilt by Ronan & Erwan Bouroullec was launched by Established & Son at Salone del Mobile Milan. Using a shade of blue that expresses the moment that day turns to night . Appropriately enough, the day I got to see this the chair had been taken over by a lady in her twilight years who just wouldn’t move. For anyone.

At Design Miami/Basel 2009 designer Tomáš Gabzdil Libertiny of Studio Libertiny  The Bic Blue Cabinet. As the name suggests  Tomáš has used the ink from the ubiquitous Bic pen to colour his cabinet  not for him the finest most expensive natural pigment! That said though he hasn’t just coloured in an MDF cabinet and whacked on a bit of varnish. For 26,000 you get a handmade American Walnut cabinet, coated with Bic ink and hand-finished with French Polish; layer upon layer applied as you would to antique furniture. The combination of ink and polish give the cabinet an iridescence; a reminder of why this colour has been inspiring and intriguing artists for centuries. The finishing touches of gold plated hinges and Libertiny logo are hidden inside, there is no handle, it is a push to open system.

At the London Design Festival Benjamin Hubert chose blue for Splay his Coat stand for De La Espada. Seen here with all the other products this prolific new designer has launched in the last year.

And if you wanted to completely immerse yourself in blue, you could have visited the magical art installation Seizure by Roger Hiorns. Created by pumping 75,000 litres of copper sulphate into an abandoned council flat at letting the evaporating liquid form incredible blue crystals. It must have been quite some moment cracking open the seal to see if it had actually worked. Thankfully it had. Sadly the block and its crystal contents will be demolished – but then they said that last year… http://www.artangel.org.uk/

Float by Benjamin Hubert for Unique Copenhagen. The lamps are hand-turned out of Portuguese agglomerate cork blocks, the waste bits from the production of wine stoppers. Even the high volume of waste from creating the lamps can be converted back into blocks and turned again.  The cork emits a wonderfully warm glow when lit and the simplicity of the shape suits the agglomerated pattern of the material. http://www.benjaminhubert.co.uk

Cobu  Suspension Lamp by Giorgio Biscaro “I have always been fascinated by cork. It’s obtained from a plant whose life is not interrupted by this extraction, and this for me would be sufficient to declare it a great material. Moreover, cork has great qualities of insulation and mechanical resistance, so I thought it could be perfect for a lamp. The cork base in fact, sustain a glass screen, trough which the cables descend. The light is not direct, but is deflected by the ceiling and the colour of the cork warms this light in a special way. I played with different shapes and finishes, so you will find clear glass, smoked glass and varnished glass to choose from. I tried to endow this lamp with a strong sense of deja-vu, like recollection of bottle glasses, because I wanted it to be a warm, friendly, reassuring object.” http://www.seemantic.com/

 Plug by Tomas Kral is a range of products that transform the image of a simple cork bottle stopper. The principle of PLUG. The work is around the connection between glass as a hard and compact material and the cork, perfect porous material.The glass parts were done using free glass blowing. The cork parts were made out of the sheets of agglomerated cork which were milled using CNC. The corks parts used the marks from the CNC milling tool as a part of theirs construction. The idea is to build 3D objects by milling using 2D drawings. The objects function are simple. Side table, lamps, boxes, bowls. The idea was to put more attention on the connection between glass and the cork. 

Cork range by Hetta There’s nothing particularly radical about the range its just a  well done contemporary update . Simple graphic prints on tableware, its a no brain-er. Ahh the simplest of ideas ….one of those  why didn’t I do that… www..hetta.se 

Incidentally, to my shame I wrote this post accompanied by a screw top bottle of red….